My practice is driven by an interest in the human condition and the forces that shape individual identity.

The human figure, particularly the female figure, has become an important vehicle through which I explore vulnerability, social conditioning, inequality, desire and liberation.

I am interested in the space between what is controlled and what is spontaneous. In my figurative work, disciplined drawing and measured brushwork establish the human presence, while expressive gestures, colour and mixed media create an environment that is less predictable and more psychological.

This contrast reflects a broader tension that I repeatedly encounter in life: the relationship between the inner self and the external world.

My practice extends from figurative painting into assemblage and installation, allowing the figure, objects, materials and surrounding space to become part of the same visual language.

Experimentation remains fundamental to the way I work, but it is always connected by a continuing interest in identity, emotion, society and the relationship between the individual and their environment.